
Following the Panic of 1837, Sully received fewer patrons and therefore, less money therefore, Sully had to abandon his revered art to accommodate a more commercial and popular style. "He became more entrenpreneurial, racking up profits by subordinating his style to market tastes."
Though many may see Sully's actions as "selling out" it is quite understandable. When America, or any nation at all, hits hard times it is the artists who suffer and therefore have to change their methods of earning income; many times changing their entire style to make a living and "giving people what they want," according to William Rudolph, the curator of American Art at the Worcester Art Museum in Massachusetts.
Thomas Moran also "gave the people what the want[ed]" after the Crash of 1873. Moran painted scenes of the Rockies and Grand Canyons, entertaining and satisfying Americans who had never seen these landscapes (at the time Western states were just beginning to be included in the union.
Like many artists existing in difficult times, Moran and Sully know that "art could not exist without commercial enterprise."
(Image: Thomas Sully's Portrait of Thomas Jefferson, 1821)












